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	<title>James Scott Photography&#187; Lessons</title>
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		<title>Photographing Extreme Sports</title>
		<link>http://jscottdigitalphoto.com/2009/04/photographing-extreme-sports/</link>
		<comments>http://jscottdigitalphoto.com/2009/04/photographing-extreme-sports/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 18:14:25 +0000</pubDate>
		<dc:creator>J Scott</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://jscottdigitalphoto.com/?p=427</guid>
		<description><![CDATA[As you can see from my photo galleries one of the subjects that I cover frequently is Action Shooting Sports. It could be argued that these sports fit into the Extreme Sport category although they have among the best safety record of any sport short of possibly badminton or ping-pong. Even so because real guns [...]]]></description>
			<content:encoded><![CDATA[<p><strong>A</strong>s you can see from my photo galleries one of the subjects that I cover frequently is <strong>Action Shooting Sports</strong>. It could be argued that these sports fit into the <strong>Extreme Sport</strong> category although they have among the best safety record of any sport short of possibly badminton or ping-pong. Even so because real guns with live ammunition are being used some would say it&#8217;s an extreme sport. I agree that it is an extreme sport not&#8230;<span id="more-427"></span>because of the guns, but rather the high-speed, extreme skill practiced by the participants makes it an extreme sport to me.</p>
<p>Regardless, whatever type of sport action you&#8217;re interested in shooting there are some techniques that will help you create action photos that set you apart.</p>
<ol>
<li><strong>Know the sport.</strong> In order to get great action photos you need to be able to anticipate where the action will take place so that you can be in the best position to capture that decisive image. Plan how you will get into position as the action unfolds and pre-set your focus, zoom and exposure. All you&#8217;ll have to concentrate on is capturing the action.</li>
<li><strong>Know the rules. </strong>Knowing the rules of the sport allows you to capture images of important moments that occur and may have a decisive impact on the outcome of the competition.</li>
<li><strong>Have the proper gear. </strong>Be prepared for the type of conditions, access and distances from the action that you&#8217;ll be facing. I use remote capture frequently because you just don&#8217;t want to be downrange during a shooting competition. Instead of getting the shot, you might get shot. Although I use good equipment I don&#8217;t use my best equipment where there is a possibility of damage.</li>
<li><strong>Talk to Officials. </strong>Talk to the Officials and ask them where the best opportunities are for great shots. This involves them in the decision of giving you access. Discuss with them how you would like to capture the action and get permission and buy-in from them. If they don&#8217;t agree with your plan respect their decision and that goodwill likely will get you where you want to be in the future because they will remember you as being cooperative and professional.</li>
<li><strong>Become known in the sport. </strong>Over time I have become known by many in the Action Shooting community and have developed friendships. Because of my relationships I am trusted that I won&#8217;t get in the way or interfere  with the competition. Especially in a sport where there is a necessity for Safety Officials they don&#8217;t want to have you as one more thing to worry about.</li>
</ol>
<p>It doesn&#8217;t matter if you&#8217;re covering Action Shooting or Motorcycle racing, professional sports or your kids soccer games these tips apply. To get the real action shots you have to be where the action is and prepared to capture it.</p>
<p>I have a blog dedicated to the Action Shooting Sports called <a href="http://www.actionshootingpodcast.com" target="_blank">The Action Shooting Podcast</a> where I cover events as well as training, tips, interviews, and articles about Action Shooting.</p>
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		<title>Exposure</title>
		<link>http://jscottdigitalphoto.com/2008/10/exposure/</link>
		<comments>http://jscottdigitalphoto.com/2008/10/exposure/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 19:37:51 +0000</pubDate>
		<dc:creator>J Scott</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Exposure]]></category>

		<guid isPermaLink="false">http://jscottdigitalphoto.com/?p=280</guid>
		<description><![CDATA[Ever wonder why your photos keep coming out too dark or too light? Always been taught to keep the sun to your back? Why doesn&#8217;t the photo look the way we remember the scene? It&#8217;s time to learn about exposure. The human eye is pretty amazing in what it can do. We can see detail [...]]]></description>
			<content:encoded><![CDATA[<p>Ever wonder why your photos keep coming out too dark or too light? Always been taught to keep the sun to your back? Why doesn&#8217;t the photo look the way we remember the scene? It&#8217;s time to learn about exposure. The human eye is pretty amazing in what it can do. We can see detail in both the bright and dark areas of a scene. Even the best cameras that we have today are nowhere near the capability of the human eye and are able to reveal only a limited range of contrast. Cameras are getting better no doubt, but we need to understand that when humans look at a scene we see far more than our camera is able to reveal and have to help our camera to render the scene as we experienced it. This limitation can also be&#8230;<span id="more-280"></span> manipulated to creatively interpret a scene to present an emotional response. </p>
<p>So what is proper exposure? That depends on you the photographer and what you are trying to achieve. There is no single answer but rather a series of choices you will make to create the image that you want. Simply, exposure is controlled by how much light is allowed to reach your cameras sensor and for how long that light is allowed to reach the sensor. The amount of light is controlled by the size of the aperture-opening of the lens expressed in f-stops. Confusingly the larger the f-stop the smaller the aperture or the less light allowed. An f16 lets in less light than f5.6. Think of it in terms of slicing up a pie. If you slice a pie into 16 equal pieces, each piece will be smaller than a piece of a pie sliced only 6 times. The aperture chosen will also affect the depth-of-field, or how much of the scene is in focus. Again, exposure is a combination of choices.</p>
<p>Published by Wiley as part of their Photo Workshop series of books &#8220;Exposure&#8221; deals with the subject in a clear easy to understand manner. Written by Jeff Wignall the book covers a full range of exposure challenges. Each chapter offers an assignment to practice the concept covered in the chapter. As with all the books in the series, Wiley maintains a website that encourages photographers to upload the chapter assignments for review and critique. I recommend not only this book but the other books in the Wiley Photo Workshop series as well. If you&#8217;re ready to improve your photo results regardless if you have a point-and-shoot or a full featured Digital SLR this is a great place to start.</p>
<p>[asa]0470114355[/asa]</p>
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